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Showing posts from February, 2022

running round in circles in Diamond Square

  In Diamond Square (aka The Time of The Doves , The Pigeon Girl , and The First Half Was A Drag But We Got Going In The Second Half) was surprisingly difficult for me to get through. I really expected to zoom through this relatively short book because I'm interested in the Spanish Civil War and subsequent dictatorship, and because my copy has an endorsement from Gabriel Garcia Marquez on the front cover. In hindsight, I should've known to not pay too much attention to that praise though, because I'm not even a big fan of his novels either. Oh well. It was only towards the end of the novel when I started to connect some dots about why it was a difficult read. Throughout the book, Rodoreda uses a combination of short, simple sentences, and some very long ones like "Another father was carrying a young boy round his neck and he was clutching a small white front with a blue silk bow and twinkling diamond star, and the crowd was pushing the two fathers, and without noticin

bonjour tristesse my old friend

 Of all the books on the reading list, this is the only one I've read before. In fact, I studied it in the original language as part of my French A-Level just before I left the UK. And to be honest, I didn't like it then, and I don't like it now.  I feel sorry for Cecile, but I just know that I would find her incredibly irritating if I had the misfortune of encountering her in real life. That being said, the book brings such vivid images of an upscale, movie-like experience of the French Riviera that I appreciate it just for that. I also think it's kind of fun that the book was so controversial upon its release. They just weren't ready for Cecile's unladylike-ness or for all the raunchy behaviour going on. As I mentioned, I don't really like Cecile. In the book she's 17, Sagan herself was 18 at the time of publication, I myself was 17 when I read it for the first time, and at the ripe old age of 20 I can make the executive, yet humble, declaration that w

Nada - did you know that carmen laforet is an anagram for flamenco arret

 Carmen Laforet's Nada felt very modern, and others might disagree with me but I thought it even felt somewhat contemporary. Sure, that might be because the translation was done relatively recently (2008), but I think it's more so to do with its timelessness. The story has so many themes that are fundamentally about people and their relationships to each other; I don't think humans change all that much from one generation to the next, and I reckon many of our problems are the same as they were centuries ago, and will continue to be centuries from now.  I hesitate to delve into these topics too deeply, but two themes that really resonated with me in this book were those surrounding Andrea and Ena's friendship, more specifically the way that Andrea views Ena and puts her on a pedestal, and that of a mother's love.  These two themes fascinate me in different ways. The former reminds me of a friendship that I once experienced a few years ago and so I felt a little uncom